| Dave Pike | |
|---|---|
| Born | 23 March 1938 Detroit, Michigan United States |
| Genres | Brazilian jazz, Latin jazz, world music |
| Occupations | Musician, songwriter |
| Instruments | Drums, vibraphone, marimba |
| Labels | Atlantic Records, MPS/Saba |
| Associated acts | Herbie Mann |
David Samuel Pike (born March 23, 1938 in Detroit, Michigan) is a jazz vibraphone player. He learned drums at the age of eight and is self-taught on vibes. He has also played marimba, particularly with Herbie Mann. Lionel Hampton, Milt Jackson, and Cal Tjader were early inspirations for him.
Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes when working with flautist Herbie Mann in the early 1960s[1].. There are several other works he did inspired by Brazilian jazz, Latin jazz, or world music.
By the late 1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. "Doors of Perception", released in 1970 for the Atlantic Records subsidiary Vortex Records and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians like alto saxophonist Lee Konitz, bassist Chuck Israels (of Bill Evans and Ornette Coleman fame) and pianist Don Friedman whose artistry was up to the task of finding new spaces in the jazz idiom.
Pike's move to Europe and tenure at MPS/Saba records produced some of the most original jazz of the period. With the collaboration of Volker Kriegel (guitar), J. A. Rettenbacher (acoustic and electric bass), and Peter Baumeister (drums), he formed the Dave Pike Set. The group recorded six records from 1969-1972 that ran the gamut from funky grooves to free, textural territory. The group, though short-lived, created a unique identity and textural palette. Kriegel's compositional and instrumental (playing acoustic, classical, and electric guitar as well as sitar) contributions to the group helped set the Dave Pike Set's sound apart, organically incorporating influences from jazz, soul jazz, psychedelia, avant-garde music, and world (Indian, Brazilian, Latin and Middle Eastern sounds) music.